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DYING IS EASY, COMEDY IS HARD
by Hal Croasmun

That's a popular saying on the comedy circuits. Comedy does take a lot of work, but it is much easier when you clearly understand the structure. This article analyzes five pages of ACE VENTURA: PET DETECTIVE and shows how a standup comedian and a comedy screenwriter created some pretty amazing comedy.

Even if you think the movie is silly, you'll be surprised how many comedy techniques they used in these five pages. As you read the analysis, keep in mind that I am only focusing on comedy techniques. There are many other screenwriting techniques used in the scene, but to keep the analysis from being confusing, we'll stick to the comedy.

As you read, notice my notes. Every laugh in this script can be boiled down to comedy writing techniques that any one of us can learn and use as we write our screenplays.

From ACE VENTURA: PET DETECTIVE

EXT. STREET - DAY

A UPS Man with a big pot belly is walking down the street, whistling and carelessly tossing a package in the air. We hear the sound of broken glass in the box. He passes a professional woman.

UPS MAN
Good morning, UPS!

NOTE: In the opening visual, we have our first sign of incongruence -- the sight of a happy UPS man tossing a fragile package in the air. This is also the start of establishing our main comedy character.

He tosses the box behind his back like a basketball, then acknowledges another passerby.

UPS MAN
UPS, good to see you!

He takes a couple of steps, then flings the package incredibly high into the air, spins completely around and expertly drops to one knee and catches the box. A Hispanic man passes.

UPS MAN
Buenos dias. Uo Pay eSsay.

NOTE: We've now got a running gag - this package will continually be abused in many unique ways, many of which are funny. This guy is having fun. So naturally we'll take the journey with him, having fun all the way.

EXT. APARTMENT BUILDING - DAY

The UPS Man dodges a couple of black kids as though playing basketball. He runs up the front steps of the building. He reaches out to open the front door and inadvertently flings the package behind him and back down the steps. He goes back, retrieves the package, then enters the building.

INT. LOBBY - DAY

Several people stand in the elevator. The UPS Man just makes it, but the door closes on the package... REPEATEDLY. He feigns embarrassment.

NOTE: This is a physical topper. First, he was just tossing the package into the air. Now, he allows the elevator door to close on it over and over. He's taken the joke to a new level.

INT. 3RD FLOOR - DAY

ELEVATOR DOORS OPEN. The UPS Man throws the package out onto the floor and starts kicking it down the hall like a soccer player. With one last big kick the parcel lands in front of APARTMENT 3B. He picks it up and knocks on the door.

NOTE: This concludes our running gag. The same humor used many times with minor changes that continue to have it be funny. Who would have thought a UPS package could be so much fun?

We hear a small dog barking.

GRUFF MAN (O.S.)
Shut the hell up, you stupid mutt!

An angry, burly man pokes his nose hairs out the chained door.

NOTE: Comedy description. Sticking his nose hairs out the door is much more entertaining than just sticking out his nose.

GRUFF MAN
What do you want?

UPS MAN
UPS, sir. And how are you this afternoon? Alrighty then!

NOTE: Punchline: Having the UPS Man ask a question, then answer it himself.

The man grumpily unchains the door. He's a big guy - 6'5", 250, and 50 of that is chest hair.

NOTE: More comedy description: 50 pounds of chest hair.

UPS MAN
I have a package for you.

The UPS guy thrusts the package toward the man. We can clearly hear broken glass inside.

The man takes the package.

GRUFF MAN
It sounds broken.

UPS MAN
Most likely sir! I bet it was something nice though! Now... I have an insurance form. If you'll just sign here, here, and here, and initial here, and print your name here, we'll get the rest of the forms out to you as soon as we can.

NOTE: Punchline: Sign these forms so we can get more forms out to you.

The man begrudgingly begins to fill out the form. The dog wags his tail and whines. We can see that he likes the UPS guy.

UPS MAN
That's a lovely dog you have. Do you mind if I pet him, sir?

GRUFF MAN
(mumbles)
I don't give a rat's ass.

The UPS Man bends down and talks to the dog in a really sucky pet talk.

UPS MAN
Oo ja boo ba da boo boo do booo!

GRUFF MAN
(under breath)
Brother.

Before the Gruff Man can finish, the UPS Man stands back up and takes the form again.

UPS MAN
That's fine sir. I can fill out the rest. You just have yourself a good day. Take care, now! 'Bye 'bye, then!

NOTE: Incongruent: Taking the form before he's finished.

THRASH MUSIC STARTS

INT. HALLWAY -- CONT'D

The UPS Man moves swiftly down the hall and into the stair well.

INT. APARTMENT 3B - CONT'D

The Gruff Man shakes the box, tosses it down and sits in front of the TV.

EXT. APARTMENT BUILDING - CONT'D

The UPS Man bursts from the front door and hustles down the street very quickly. He passes several people.

UPS MAN
(quickly)
UPS, S'cuse me. UPS, comin' through.

INT. APARTMENT 3B - CONT'D

We see the back of the Shiatsu staring at the crack in the front door. He has not moved an inch. The Gruff Man looks over.

GRUFF MAN
Hey, stupid! Get away from the door!

The dog doesn't budge and this really pisses him off. He gets up and heads for the dog.

GRUFF MAN
What's the matter with you, I said GIT!!!

He roughly picks the dog up by the scruff of the neck, but as he turns it around we see that it is a stuffed dog. Around it's neck is a business card that reads, "You have been had by Ace Ventura - Pet Detective." He breathes fire.

NOTE: Prop humor: The dog is a stuffed animal. Punchline/topper: The card.

GRUFF MAN
Son of a bitch! He smashes the dog to the ground.

EXT. ALLEY - CONT'D

As the UPS Man/Ace rounds the corner, his shirt opens up at his pot belly and the Shiatsu's head sticks out. Ace is gloating.

NOTE: Sight gag: Dog sticking head out of his shirt.

ACE
(announcer's voice)
That was a close one, ladies and gentlemen. Unfortunately, in every contest, there must be...A LOOSER!

He jumps into an old beat-up Chevy Bel Air, and lets the dog out onto the passenger seat.

ACE
LOOOHOOOSERRRHERRR!

He then pulls open the car's ashtray, and to the dog's delight, it's filled with puppy chow.

NOTE: More prop humor: Ashtray full of puppy chow.

He tries to start the engine but it won't turn over. The dog shoots him a look.

ACE
(to dog)
No problem, it gets flooded. We'll just wait a few seconds.

Ace sits back. SMASH!!!

From Ace's POV we see a Baseball bat shatter the front windshield.

ACE
Or, we could try it now.

NOTE: Punchline: Understatement.

Ace frantically tries to start the car. His new friend continues around the car beating the living shit out of it.

ACE
Oooh, boy.

ACE'S POV: We see the creep wailing on the car in Ace's side view mirror.

ACE
Warning! Assholes are closer than they appear!

NOTE: Punchline: Parody of the mirror saying "Objects are closer than they appear."

The dog is barking insanely.

ACE
(to dog)
You think you can do better?!

NOTE: Personification: Ace talks with animals as if he understands them.

The baseball bat is now pummeling the trunk.

ACE
Wanna give me a push while you're back there?

NOTE: Punchline: Absurd request.

BOOM! The back window shatters. Then the car's engine roars to life. Ace rejoices.

ACE
FARFEGNUGENNNNN!!!

NOTE: Parody of a religious celebration. Instead of saying hallelujah or something else, Ace praises a car company.

Ace leaves the bad guy in a cloud of dust and gravel, screaming bloody murder.

EXT. MIAMI CITY STREETS - DAY

Ace and his new pal speed away freely.

Close on the happy dog, hanging his head out the car window.

PAN across the broken windshield to Ace, also hanging his head out the window to see where he's going.

NOTE: Sight gag/Metaphor humor: The dog and Ace are similar creatures.

The car drives by a sign on a telephone pole: "Reward" -- with a picture of the Shiatsu in Ace's seat.

THRASH MUSIC ENDS INT. HOUSE - DAY

A very sexy woman is hugging and kissing the Shiatsu.

WOMAN
My little baby. You missed mommy didn't you? Did daddy hurt you? I won't let him, no I won't. He may have kept the big screen TV, but he's not gonna keep my baby. No he isn't.

WOMAN
(very sexy to Ace)
Thank you, Mr. Ventura. How can I ever repay you?

She slinks over to Ace and puts her arms around his neck.

ACE
Well, the reward would be good, and there was some damage to my--

She cuts Ace off with a devastating kiss.

WOMAN
Would you like me to take you pants off instead?

NOTE: Incongruent request.

ACE
Ummmm… Sure.

She pulls him toward the bedroom.

WOMAN
It takes a big man to stand up to my husband. He's already put two of my lovers in the hospital.

ACE
How did he find out? Does he have you followed.

WOMAN
No… I tell him.

She plants a kiss on Ace's neck and pulls him down out of frame onto the bed.

NOTE: Reversal: The woman admires him for his courage, then tells him that she is setting him up. Then kisses him and pulls him into bed.

Besides the notes I've pointed out above, it is also clear from the first five pages of this script that it is an absurd comedy and that Ace is more committed to animals than humans, except when there is sex involved.

This script has a great comedy concept - A pet detective outsmarts the police force to save the Miami Dolphin's mascot from a psycho field goal kicker disguised as the chief of police. It has an outstanding lead comedy character - Ace. And it has a humorous name - Ace Ventura: Pet Detective!

Those are the broad strokes. The details are just as well laid out. It has an excellent combination of physical humor, sight gags, running gags, and punchlines.

WHAT CAN YOU DO WITH ALL OF THIS?

Since it is clear that comedy comes from a structure and set of techniques just like any other form of writing, you can adopt those techniques and add them to your writing.

Most likely, you already use some of these without thinking of it in the form I've presented. That's good. It means it will be easier for you to build these techniques into your writing by choice.

As you probably know, we are offering a program (listed below) that teaches the comedy writing model in 10 days. If you're considering writing a comedy in the near future or if you want to put more comedy into your screenplays of other genres, join us and get a huge head start on becoming a born comedian.

Better Than Sex:
Comedy Writing For Screenplays

In this 10 day online program, you will learn to:

  • Create comedy concepts
  • Build comedy characters
  • Write physical humor and comedy description
  • Write funny dialogue
  • Use sight gags, prop humor, and running gags
  • Add humor to any script

And there is a money-back guarantee.

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