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Classes
The Professional Screenwriting Series
December 5, 2009 – June 5, 2010
Five months of intensive breakthroughs! This class is open to experienced screenwriters who are committed to doing whatever it takes to have their script create buzz in Hollywood and SELL!
You’ll go through the entire ScriptForSale.com course catalog plus get two extra courses only offered in the Pro Series — Outlining and Plotting and First Ten Pages.
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Pushing the Envelope
January 5, 2010
This class is all about one thing — having your writing be extra- ordinary. It assumes that you already understand screenwriting and now the job is to make your writing captivating. This class includes examples from the show, “LOST”.
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Writing Great Endings
September 2-12, 2009
Your ending is the second most important part of your script, so it needs to be great! In this class you’ll learn what makes a great ending, how to structure your third act so that every page increases the emotion, and how to write final pages and parting words that will create the buzz you need to get your script sold and make your movie a box office success.
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High Concept Sells
Offered only as part of the ProSeries
Writing up to par, but unable to catch the attention of producers and agents? Your problem may very well be in your Concept. This class takes you through the process the big-money-makers use to create amazing High Concepts.
Fresh & Edgy
July 14-24, 2009
In this class, we’ll demystify the process of writing both fresh and edgy scripts. This could be the class that takes your writing to a whole new level…and help you discover a side to your writing you never considered before.
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Revealing Subtext
October 26 – November 4th, 2009
What is one of the main keys that identifies your writing as professional or not? — Subtext. In this class, you’ll learn to design subtext into your plots, scenes, characters, action and dialogue including the famous subtext pointers.
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Advanced Dialogue
August 3 -13, 2009
ADVANCED DIALOGUE is about taking the best dialogue you’ve ever written and making it so much better that people who read it just love it. In the course, we’ll work with high-level dialogue techniques that give you the power to write unique dialogue that feels natural, but delivers on multiple levels, get a set of techniques for rewriting the dialogue of any script and improving it dramatically and new techniques for drawing out the best dialogue from your characters.
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Comedy Writing For Screenplays
November 30 – December 10, 2009
Advertisers say “sex sells,” but in the movie business, many readers, producers, actors enjoy good comedy more than sex in screenplays. No matter what genre you write, it can benefit by writing better humor. In this class, we analyze successful comedy movies and work with proven techniques to create comedy concepts, humorous characters, physical humor, and funny lines.
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Marketing Your Screenplay
November 16-30, 2009
An 11-day course (divided into two parts) that will give you an overall understanding of how to take your script through the marketing process with as little frustration and as much success as possible. By the end of this program, you’ll have well written marketing materials for your screenplay and the knowledge of what to do to get your script into the hands of buyers out there.
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ProSeries Rewrite Class
Take your script through an 18 STEP REWRITE that will elevate the QUALITY FROM THE CORE of the story and continue to improve the script down to the very last word. This class is specifically designed to help you win screenplay contests and improve your script.
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